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・ Daniel P. Leaf
・ Daniel P. Mannix
・ Daniel P. Matthews
・ Daniel P. Meyer
・ Daniel P. O'Connell
・ Daniel P. Reigle
・ Daniel P. Reilly
・ Daniel P. Sanders
・ Daniel P. Schrag
・ Daniel P. Silva
・ Daniel P. Vrakas
・ Daniel P. Ward
・ Daniel P. Witter
・ Daniel P. Wood
・ Daniel P. Woodward
Daniel Pabst
・ Daniel Pacheco
・ Daniel Padilla
・ Daniel Padilla (EP)
・ Daniel Pagano
・ Daniel Page
・ Daniel Paille
・ Daniel Paillé
・ Daniel Pakosh
・ Daniel Paladini
・ Daniel Palladino
・ Daniel Palmer
・ Daniel Palmer (writer)
・ Daniel Paluska
・ Daniel Pancu


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Daniel Pabst : ウィキペディア英語版
Daniel Pabst

Daniel Pabst (June 11, 1826 – July 15, 1910) was a virtuoso cabinetmaker of the Victorian Era. He is credited with some of the most extraordinary custom interiors and hand-crafted furniture in the United States. Sometimes working in collaboration with architect Frank Furness (1839–1912), he made pieces in the Renaissance Revival, Neo-Grec, Modern Gothic, and Colonial Revival styles. Examples of his work are in the collections of the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Art Institute of Chicago, and the Victoria and Albert Museum in London.
== Background ==
Born in Langenstein, Germany, Pabst immigrated to the U.S. in 1849 and settled in Philadelphia, Pennsylvania, where he would make his professional career. The excellence of his craftsmanship elevated him above his peers, as did the strongly architectonic (building-like) quality of his furniture designs—often massively scaled, with columns, pilasters, rounded and Gothic arches, bold carving and polychromatic decoration. He was a master at cameo-carving (intaglio) in wood: veneering a light-colored wood over a darker, then carving through to create a vivid contrast. Some pieces were adorned with decorative tiles, others with painted glass panels backed with reflective foil. Elaborate strap hinges and hardware were commonly used, and sometimes the furniture was ebonized. His Philadelphia shop grew to employ up to 50 workmen, but the company's records do not survive. Of the presumably thousands of pieces produced by his shop over half a century, only two are signed, and very few are documented. Therefore, for most of his works, identification must be done through attribution.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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